I have to admit writing French Illusions was a lot more complex than I initially imagined it would be. My diary offered a great outline, but I realized early on that I would have to change the names of people and places in my story to protect identities. This was especially true with regards to my host au pair family. Acquiring permission from them was out of the question. Totally out of the question. I mean it. Read my book and you’ll understand. Additionally, over thirty years had passed since I spoke with anyone I’d met in France. I no longer had any contact information for them.

My Memoir, French Illusions, took me three years and countless hours to  complete. During that time, I studied and learned a lot about writing. I’m not an expert, but these are my five favorite writing tips.

1. It’s old advice, but so important. I strive to “show” readers what a character is doing rather then “tell” them.

The thing about me is that I . . . am fussy. I can’t help myself. I like things clean and orderly.

When I first get up in the morning, I . . . press the button on the coffee maker and reach down to pet the dog. After I pour myself a cup of coffee, I check emails, “tweet,” and post something on my French Illusions Facebook Fan Page. Then, I turn to my writing.

This is the second installment in a series of two posts.  As I stated previously, readers have asked me about the pictures introducing the four parts inside French Illusions. It was my publisher’s design team that came up with this fantastic idea. I doubt many authors ponder the interior design of their book. I certainly didn’t. My mind was focused on the cover design until Dog Ear Publishing sent me the first interior galley for review.

I have been asked about the pictures introducing the four parts in French Illusions. It was my publisher’s design team that came up with this fantastic idea. I doubt many authors ponder the interior design of their book. I certainly didn’t. My mind was focused on the cover design until Dog Ear Publishing sent me the first interior galley for review.

I’m not sure who or what prompted me to keep a diary during my trip to France in 1979, but I’m sure glad I did. Without it, my book, French Illusions, probably never would have been written.

Choosing an editor for French Illusions wasn’t easy. As a matter of fact, it was downright difficult. I searched the web for many months, pouring through blogs and editors guilds until I found three candidates who looked promising. I asked for references, contacted all  them and received good feedback. Now what, I thought. How will I choose? The answer seemed simple. I would ask each of them to perform an edit on my first chapter. They all agreed, and over the next few weeks, I received their samples. With a critical eye, I spread them out on my office floor and carefully compared their work. Each editor offered something, but none of their edits felt like a perfect fit. Reluctantly, I tossed all of them aside.